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Music Monday: Chocolate Music + More

Today's Music Monday is brought to you by Procrastination and the fact that I should probably finish writing my four page paper on patriarchy in Chinua Achebe's Things Fall Apart. But alas, I'm writing about something that brings more joy to life - music.

Today was a good day in chocolate music. What exactly is chocolate music? Chocolate music is the term I give to music that seems to meld RnB with Alternative. Chocolate music is very reliant on vocals and also ranges, sonically, with a cappella. Chocolate music is the music you light candles and sit in a jacuzzi, full of bubbles, in the dark to. Let the soft flames and the darkness sooth you. 

With that being said, this week's Music Monday is for Chocolate music, and some other good tunes to relax and chill to. In other words, this paper not getting done tonight.

1. Thirdstory - Hotline Bling (Drake Cover)

I found this today listening to Aquilo's "Better Off Without You" taken from their Human EP. Thirdstory features three amazing musicians who, together, make up a beautiful harmony. The nerves in my fingers tremble when I hear the song. It sounds like something I'd wake up to on a Saturday morning and start cleaning.  

2. Aquilo - I Don't Want to See It

3. #1 Dads (feat Tom Snowdon) - Two Weeks (FKA Twigs Cover)

This song is an experience. Harmonizing vocals and soulful energy puts a brilliant, unexpected twist on one of FKA Twigs' most popular songs. Who knew a song about taking someone's man could be so majestic. It's like, "I'll take you from your girl" but dressed up in late 90s Vintage Givenchy. 

4. Little Dragon - Twice

5. Seinabo Sey - Poetic




tags: music, thirdstory, chocolate music, rnb, alternative, seinabo sey, little dragon
categories: Music
Monday 12.07.15
Posted by Jeremy Collins
Comments: 2
 

Delirium and the Dynamic Energy of Ellie Goulding

ellie-gouldings-delirium-ac3a6995c4267dd3bc26150dc94b037bcb0.jpg

Ellie Goulding's sound in Delirium symbolizes an evolution of sorts. She's gone full pop. Some of Delirium's lyrics seem very teenage girlish, but that's true of mainstream pop. If you buy red velvet cake, you'd expect it to taste like red velvet, right?

The night before the release I listened to some of Goulding's features the night before listening to her collab with Tinie Tempah "Wonderman" and her beautifully orchestrated vocals on Active Child's "Silhouette". The latter, released two years ago" is an exact opposite of the sound on Delirium. 

The album's first half is much more vibrant and hit-worthy than the middle, picking back up with "I Do What I Love" and "Paradise". As someone who remembers a more restrained Goulding, the album seems to have a lot going on. I stopped at "Codes", my favorite song on the album, before going back just to listen to Halcyon, her sophomore album. Something about the album felt more peaceful. (Duh, the name of the album is Halcyon which literally means "peaceful" and "content").  If anything, it shows Goulding has the great skill of genre range. Her cover of "Some Nights" as well as her duet with American folk singer Lissie on "Everywhere I Go" proves so. Delirium is punch after punch and at times it gets tiring after a bit.

Don't get me wrong! The album is great to jam to and the songs that work really work. "Don't Panic" is a great pop piece, and it'd be wild if it's not a single. Ellie Goulding herself said she's trying to step away from the image of the folky singer type. As someone going through their own trials of reinvention, it's a completely natural thing to do. She works very well as a pop star. Excellent, I should say as Delirium is definitely full of pop bangers. But songs like "Silhouette" "Hanging On" and many others that made folk-indie Ellie will be missed. 

Top Five Songs In Order: Codes, Don't Panic, Paradise, Aftertaste, On My Mind,

 

tags: ellie goulding, music, delirium, on my mind, pop music, tinie tempah, active child, hot music
categories: Music
Tuesday 11.10.15
Posted by Jeremy Collins
 

Raury, Chic-Fil-A, and A Story For Certain People.

All We Need is a cohesive piece of work in what people call conscious rap. The music is an inspiring mix of hip hop and folk, borrowing guitars and minimalist percussion behind singing-rapping vocals. Tracks like "Forbidden Knowledge" and "Revolution" are lyrically powerful. The album isn't boring as one would think after mixing folk music and conscious rap. 

The performance at U St. Music Hall, however, was less peace, but more shouting, energy, and theatre. If there's one thing you can say, Raury is a passionate performer. I enjoyed his show like a Chic-Fil-A sandwich (that too was also made in Georgia).  It was a good follow-up from the energetic trippy set from Sunny & Gabe, duo from Virginia. The lighting set the environment with color, from patriotic reds, whites, and blues to a bold yellow, a thematic color for the new album.

The pinky in the air thing felt weird, and the calling of people in the crowd to talk to each other felt out of place; almost like those uncomfortable moments in church. Every Black person knows what I'm talking about. 

Oddly enough, I've been learning and reading more and more about hip-hop and rap. I've been reading material from Jared Ball, founder of IMixWhatILike. Just recently I met M.K Asante-  noted writer, rapper, filmmaker, amongst a host of other things- at the MAWA Writer's Conference. I purchased his books Buck and It's Bigger Than Hip-Hop. 

Learning about hip-hop's roots, capitalism, and consumption - all being new to me these past two weeks - this concert experience felt odd. Slightly uncomfortable, if I'm being truly honest.

During the concert, I was surrounded by cool urban white kids; the ones that gentrify neighborhoods and, without irony, wear Supreme. There was this one girl who, apparently not knowing how to vibe, kept pushing me to the side. I had to wonder if these kids were the neoliberal types who say #BlackLivesMatter but call protestors whiny (see #AUCShutItDown). Even worse, I went to a hip-hop community on a popular forum site to look at other reviews of the album. I should've known better. The words "Pretentious" and "pseudo-intellectual" filled the conversation, if not for "average". This attitude is reflected in reviews from respected publications as well such as The Guardian and Pitchfork. Maybe they missed the mark. Maybe they need to go to church. Maybe they need to get some Chic-Fil-A half-n-half and cool down a bit; it takes a lot of energy to hate. 

 

The album speaks, to me, a vision. Although wrapped in the sappiness of flower-child hippie-kidness, the message and the lyrics still bode powerful and honest. Trap Tears tells a sad story that the hip hop community may be all too familiar with (even Taylor Swift is a trap queen apparently.) Forbidden Knowledge may have been too much for a few folks, especially considering America is so tired of talking about racism (a Black man said it too, it must be true!). 

In summary, All We Need is a great album. Raury's performance chops continues to grow. Hip-hop is continuously consumed and castrated for dollars. Black lives matter. I want some Chic-Fil-A. The end.



tags: music, raury, all we need
categories: Music
Sunday 11.01.15
Posted by Jeremy Collins
 

What We Not Supposed to Do

Some may say little kids aren't supposed to cook.

I walked into Pleasant Hope Baptist Church to the sight of children, huddled around a griddle, putting fresh bacon on the sizzling thing. The other kids either sat in a circle joking with each other, and one little boy was actually doing impressive head spins. I walked over to Pastor Heber Brown III, and introduced myself, where he gave me three options:  help with the food, run social media, or take photos. Both of my phones were dying, so I did the obvious thing and took photos of the kids making breakfast.

When the bacon was done, there was a brief intermission. One of the kids, Denzel, started showing everyone how to tie a tie. I took off my coat and grabbed a tie, seeing if he could show me. And, well, he did! A ten year old taught me how to tie a tie.

When breakfast was done, the kids threw their trash away and Moriah, one of the volunteers, Shannon, and I washed the dishes while the kids did their libations to the ancestors. 

Pastor Brown had been teaching the youth so much in the past two days. His spirit and love for the kids showed through his grace and patience. "When regular school is closed, Freedom School is open!" he'd shout, and the kids would follow right along.Any other person would've been frustrated and yelling, but he did what a lot of us won't do - let our kids be kids.

Black kids, Moriah, and I discussed, don't get the privilege of childhood, especially impoverished Black kids. Especially little Black girls. Constantly dehumanized, the rush to adulthood comes both externally and internally as our kids have to worry about judgement, performance, and excellence very young. The concept of innocence does not extend to Black kids. Non-Black kids that are loud are simply loud. Black kids that are loud are not just loud but ghetto, and for some reason (racism?) more intolerable. Black kids have to be the face of the entire Black community.

This is different from my experience serving children over the summer with Operation Help or Hush. (Read about it here.) Where the kids in Sandtown-Winchester were dead before they lived, these Freedom School kids might've had a thousands souls inside of them. They were playing and laughing and dancing and singing and cooking and being free. I pictured little Tamir playing with them, quickly changing the thought to something more peaceful.

The kids then got back to making breakfast. Under adult supervision, oranges were juiced, and eggs were whisked. The kids made waffles, scrambled eggs, and fresh orange juice. Shannon, one of the volunteers and one of the kids' parents, gave a miniature lesson on herbs and natural medicine.

The kids then got on the bus (I really want to see the Spike Lee movie) and headed downtown, where there was a protest action where demands were made of the Baltimore City Police Department. I rode in Moriah's car, where we had a great talk on American culture, capitalism, and Cuba (read her post on Cuba here, at ForHarriet). It was nice to be able to converse with someone on such a level. We talked about whether or not Brother Bernie was a real socialist or not, the Uprising, and the individualistic competition-driven culture that our country breeds. The exchange of thought, theory, and ideas felt freeing. This wasn't any elementary exchange of racism and concepts that should've been understood in sixth grade, but actual critique and international experience on a macro and micro level.

The kids, leading the show, sang their song about the RBG from Jones Falls all the way to City Hall, loud and proud. Cameras and a podium waited for their grand entrance. Black and Latino youth were behind the podium as several young leaders spoke about the injustices they faced by the police department, along with solid concrete demands.

After the speeches were made, I was able to meet Dayvon Love from Leaders of a Beautiful Struggle, a group that looks to raise community voices to promote change. I did a brief interview with The Real News Network, and we were on our way to the buses. 

Before we got to the buses, the kids were able to see Eddie Conway, a former Black Panther. Many of the kids shook his hands and thanked him for what he did with a reverence that resembled that of the American and the American soldier. The kids had questions about Baltimore and the meal programs and the Party itself, and seeing the younger people so curious and passionate excited me. These kids weren't 15,16,and 17. They ranged from 7-14! 

I rode to the Freddie Gray Empowerment Center with Lawrence Rodgers, an evangelist at another church in Baltimore. There was interesting conversation there as well, as we talked about KFCs closing and homelessness in the city. We rode to the Freddie Gray Empowerment Center, conveniently located just a block from my childhood house on Eutaw Place. 

Freedom School closed out with each kid saying what they learned, liked, or will remember forever during the two days. Most kids said meeting Eddie Conway was the biggest highlight. The recognition and affirmation from elders seemed to provide a shelter for the kids. 

The whole day felt like the second part of a spiritual cleanse. Just the night before, I was singing songs and cracking jokes with my poetry friends while making a banner for the Homecoming Parade. And for the next day to be filled with such beautiful energy felt like a blessing.

Black people aren't supposed to be doing things like this. The institution of American chattel slavery was supposed to be generational, extending from our grandparents to our grandchildren and to their grandchildren. This is what the Confederacy fought to uphold; this is what the culture of our country promotes. We aren't supposed to celebrate and love each other. But we weren't supposed to run to the North either. We weren't supposed to sit in at segregated lunch counters. We weren't supposed to fight back. We weren't supposed to sneak around and learn how to read. We weren't supposed to be able to tell our own story.

Some say kids aren't supposed to cook, but sometimes it's best to do what you not supposed to do.

tags: blackness, black kids, freedom school, liberation, ffjc, education
categories: FFJC
Friday 10.16.15
Posted by Jeremy Collins
 

Music Monday: Fka twigs' M3LL155X

M3LL155X Cover Art

Just a few days after LP1's anniversary, FKA Twigs surprise-released her much awaited third EP, M3LL155X. Said to be a summer release, the five-track album made it just in time. Like the creative she is, she also released a short film, of the same name, on Youtube; 16 minutes of dark, raw, visuals and brilliant, hip-hop inspired choreography, and, of course, voguing.

The EP is Twigs all the way. It opens with "Figure 8" which was released a couple of weeks before. "Glass and Patron" was actually released in January, with its own video which happened to end short film.  "I'm Your Doll" is the start of the film, where Twigs is literally born from the mouth of a witch-like being. The songs are very glitchy and production driven. It's an artfully-strange collection of work.

"In Time" is one of my favorite songs. When I heard it during Congregata, I knew it'd be a hit. The background sounds like something from a cheap game whose audio person Googled "Asian-inspired instrumental". But it works! The video is reminiscent of 90s and early 2000s hip hop, with the denim-on-denim clothing and the beautiful Black girls doing their thing. The choreography is, once again, very pointed and detailed. 

Twigs impresses again. M3LL155X brings another collection of sharp songs with a unique production, and a beautiful set of videos. The songs are enchanting, leaving you to unravel every sound. The videos are captivating, each with a story that connects with the next. The EP proves another addition to a versatile collection of music. Twigs' relentlessness and vivid imagination translates through her music and through her visuals in what is another solid release. 

 

Monday 08.17.15
Posted by Jeremy Collins
Comments: 1
 

Ferguson on my Mind 1: Independence Day

Forgive the messiness of this post. I'm not as eloquent as Frederik Douglass whose speech on "Independence" Day I didn't read until a couple of nights before the day after July 3rd.  Ferguson and the people there are heavy on my mind. All of America (I say America as in the United States) is heavy on my mind. 

There's something about the day after July 3rd that makes millions of people across the country shout, get together, and shoot fireworks. It feels warm all across the continental part of the country - I'm not sure from the sun or everyone's grills running simultaneously. Walmarts, or Targets if you're bougie, run out of special cupcakes covered in red, white, and blue sprinkles. Firecracker shops might be selling supplies for last-minute folk, that is, if they haven't ran out. The malls close early. Kids are excited in their red, white, and blue dresses. But, I already know how I feel about the day after July 3rd. It's August 11th, well after the day after July 3rd. So why am I talking about it?

Ferguson is heavy on my mind. 

I see what I call "the spirit of 1776" in the people of Ferguson and the activists that stop traffic on both sides of highways, and the people on the streets handing out supplies, and the other nameless people who are here, there, and everywhere. July 4th 1776 was a hot day apparently, and it was raining and pouring as people marched and protested in Missouri 2015. Passion and rage will make you do special things. 

Ferguson is heavy on my mind. 

I lived in Baltimore through one of the most historical moments in the city and I saw how the media ran through the city causing chaos and distorting the story. I saw the tanks and the pointed guns and the spirit of 1776. I saw the hands held together and heard the loud joyous trumpets in the streets of Pennsylvania Avenue. I sung "This Little Light of Mine" and stood in the circle of prayer. I delivered bags of food to the protestors and community members. And I still see, today, how people discuss the events of Baltimore, undermining the powerful message - the demand for police accountability. So looking at Ferguson, knowing what happened in Baltimore, I can only look and see the power in their message because I know first hand how the media will spin its story. 

And I wonder what it was like on July 4th, 1776. What were Black 20 year olds in urban areas doing on that day? Who is courageous enough to call the brave patriots who dumped a million dollars worth of tea into the Boston harbor thugs and criminals? What is the fourth of July but a day to suck the rest of the barbecue off your fingers? Did barbecue sauce and take home plates really divert the meaning of the fight for white Independence? What happened to the spirit of 1776, the spirit that fought injustice, the spirit that said no to taxation without representation?

It's not that I feel the need to celebrate a land that was essentially stolen from an entire nation of people (FYI, in case you didn't know, there were people here before the colonizers). I haven't even made a big deal about my Blackness. I'll save that for another blog post- Lordt knows I have a lot to say. I'm making this about the super patriotic red,white,and blue loving Americans- that is who I write this for. Or maybe I, a very confused American citizen, write this for myself. Or maybe for nobody, just words on a page. 

Maybe I just need to give it some time. Maybe kids will know Ferguson as we now know the Boston Massacre. Maybe people like Deray and Netta will be immortalized in history textbooks as social justice heroes rather than the villains America seems to make them. Maybe Ferguson will be the start of America 2.0 - including bug and other programmed systemic error fixes. I have to remember the Boston Massacre happened in 1773, and the Revolutionary War in 1776. Things take time, of course.

Or maybe, the day after July 3rd will come around and be, once again, another day for barbecue, chips, and fireworks.

Tuesday 08.11.15
Posted by Jeremy Collins
 
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