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You Ever Read A Book About Yourself? - On Writing Technique and Grandmas

My professor, A.J Verdelle, and I exchanged books. I gave her Buck by MK Asante and she gave me her own, a literary classic and praised by Toni Morrison, The Good Negress. I secretly hope she gives me this copy; she can have Buck. I also hope to one day give her a copy of my own book. 

I'm on page 94. I've read the inside jacket, the acknowledgements, and the praise on the back of the book. I think about the age of the work. It's as old as I am. Incredible. But even more, I think about the object. The book. And to think my professor is the author of the book. These words are hers, and not to diminish the work of editors or others, but her name is on the front. This is her work. Neesy, Margarete, and Luke edward are hers. Big Jim and Dana are hers. Even Lontz (one of my favorite parts right now) is hers. My professor would probably tell me "It's not mine anymore. The work is published." I can the conversation; I'd be sitting in her office on the second floor of Holmes Hall, and she'd be behind the desk glancing between her screen and me. But I'd still think its hers.

You ever read a book about yourself? You ever felt so close to a character that you feel you can predict their next move, not because you know them, but because you are them?

I might be Neesy. 

I was born in South Carolina and was raised by my grandmother. I did spend some time up North, in Baltimore where I currently live, with my mother and little brother, but most of my life is centered in the small town of Florence, South Carolina. Neesy was also Southern, raised by her own grandmother in Virginia, until the calling came for her to come back to Detroit to help her mom with a new baby. Neesy's grandma is my grandma. I not only picture the feeling of being snatched away from her Virginia home, but I feel it, not in my heart, but in my soul. I shiver. The feeling is all too familiar. I see Grandma's back porch and a car outside, and I see her standing there, waiting for the call to pull off, and I see the car and dirt under it as it pulls out of the clay road driveway. I see the long roads without lights. Growing up, I never thought it weird. But my three days in South Carolina, riding from Florence to Hemingway with only a car light to guide, the experience felt surreal. And dangerous. This is the broke Black South for you. 

When I see Neesy at the parade, I see myself, all big, Black and Jeremy, at the parade. I see purple and gold streamers. Old cars and happy Black people just loving themselves and loving their alma mater. This is the Wilson High School homecoming parade. Wilson was a mostly Black school. An annual event in Florence, people come from across the country to celebrate at one of the biggest and Blackest events in the area. Both my mom and my aunt are Wilsonians. Wilsonians are some of the proudest people you'll ever meet.

On page 81, Neesy describes Luke edward and his relationship to Granma'am. This part was the part that inspired me to write this piece. Between this page and the one before it, my soul ached and my heart heaved. My grandma was 48 when I was born. She'll be 68 this year. I remember a time before she held on to things for support. I remember a time before I was able to reminisce about things. I remember a time when getting from the truck to the door wasn't so long as it is now. I remember when arthritis was only a word I knew, not the pain and the effort I currently see now. The book made me want to call up my grandma and paint the house. As much as I am Neesy, I can be a Luke edward too; at least in that sense.

This is life. 

Neesy as a character is young, curious, and assertive. To be written in such a way requires a level of talent and technique that merits "Truly extraordinary" from Toni Morrison. The level of characterization and the precise placement of punctuation reminded me of the power of words. 

In the power of words, there's several things I'll always remember from my professor including: circling your verbs, writing in scenes, thinking about objects, and starting from the ground up. As I write Mitch, I now understand that I absolutely must read it aloud before submitting it anywhere. Beyond finding out grammar mistakes, I'm sure I'll find flaws in the rhythm of the words. It'll also help me deliver pregnant, as my professor calls them, places. 

You ever read a book about yourself? You ever read about yourself so rawly, you had to close the book and just think. On page 94, I thought about what I'd read and decided to write a blog post. I love to write. I love to read. I'm learning how to write about what I read as professor told me I should. So far, it's been fun. 

 

tags: reading, writing, the good negress, school
categories: Writing, Reading
Monday 01.04.16
Posted by Jeremy Collins
 

Building a Universe When Da Stress Tew Much

There's this thing floating around Twitter known as "Calling Out Black" where people call out of their jobs for the day due to the societal pressures from being black. My aunt calls it a mental health day. I do the same. 

With the news of Sandra Bland, coupled with a lot of other similar events going on, being bombarded with all this murder and injustice is traumatizing. Sometimes I dread coming to the mall, considering my place in all this chaos. In fact, people who know me know I'm not a gamer, but I've been taking Xbox side at work just to play Minecraft, grabbing the attention of little excited kids who want to play as well. Seeing little Black kids playing Xbox is a joy, but beyond the little spurts of Black happiness and Black love, everything else in the mall is annoying and frustrating and, well, stressful. It's hard to tell whether customers are rude because of casual racism or not (or maybe because we're a kiosk), but either way, I've learned through my retail experience that people aren't that pleasant to be around. Especially people who feel entitled. 

In order to deal with my stress, I've decided to back away from topics on racial discussion on social media. In real life, the conversations can be quite informing and affirming. But in cyberspace, I've decided to back away from it. Interestingly enough, a lot of my favorite people on Twitter have done the same. We pull back not because we don't care, but because its important to take care of our minds as well. Its irresponsible to digest and digest more and more of the videos, the violence, the injustice, the hate. It does something to the psyche. 

It is now where the topic of healing spaces is important. What can we do to help our minds heal? Where can we release this tension, this frustration, this anger.

For me, I've reinvested myself back into my writing. Instead of working on my screenplays, I started reading and writing again. I took it upon myself to reread Chimamanda Ngozi Adichie's "Apollo", published in the New Yorker not too long ago. The short piece was a very quick read, but captivating nonetheless. I've also started on a few short story pieces, one of my favorites being "One Stop On the Way to California". Again, I wanted to capture an Edward Hopper-esque vision of solitude. I wanted to be the microscope focusing on intimate moments where either everything has been said, or nothing has been said at all.

With "California" I've envisioned old basketball players, two lovers, and a nice bowl of much-too-spicy chili. It was inspired by this painting I saw and a poem called "Basketball Player" by John Updike. I can also say Chicago inspired me. Chicago will probably inspire a lot more as time goes on.

I didn't watch the Sandra Bland video. I could hardly look at her mugshots without cringing. Writing as a form of release is important as I take care of myself. Putting my energy into this world-building, scene-setting, and characterization has taken me away from the police brutality, subtle racism, and the gross images often appearing on my timeline. Besides, I need to work on material if I plan on releasing "Cape Cod Evening and Other Stories" sometime next year.

I know I'll find myself back on the scene. My Twitter will once again be fueled with social justice tweets and organizing. I'll be reading more about the election and policing and political policy. But for now, I have worlds to build and people to make.

tags: writing, mental health, break, calling out black, personal, cape cod evening
Monday 07.27.15
Posted by Jeremy Collins
 

Now That I'm Twenty

I've been having headaches wrapping my mind around the fact that I'm 20. It just seems surreal that my teenage years are actually behind me, and that I'm now two decades old. This year has been an exciting one, and adulthood has actually been quite a liberating experience. I don't feel bound by the same impoverished mentality that seemed to trap me. Life has been good. 

What's getting to me is the crushing feeling I'm not doing enough. I'm just living. Because I changed my major to screenwriting, I haven't done an internship or seriously networking within the screenwriting community. I just exist; that's not productive.

Now that I'm twenty, I really need to get on my grind. It's time I start submitting work to literary magazines. It's time I seriously work on Jack. It's time I start reading a book a week and really indulging in my craft. The sandglass is permanently tipped against my favor as I feel the wrinkles forming in my brow (slowly of course, because I'm black). I'm not getting any younger, and thus, must use my time wisely. The thought of publishing a book before I get my degree doesn't have to be so far fetched. At least not as far fetched as actually getting justice in this country.

tags: aging, quarter life crisis, happy birthday to me, writing, pressure, anxiety
Monday 05.25.15
Posted by Jeremy Collins
 

Reading, Writing, and Paying Attention

I've been reading "Where Are You Coming From Sweetheart" by Sarah Salecky for the second time. Although I read it last semester, I couldn't help but read it again, this time paying attention to the voice and the tone and the literary elements as I write my own story for a writing competition. The story is a very good one. I love Sonia's craziness, and I do pity Christine. Her father is annoying, gross, and very unlikeable as a character. I pity him too. Salecky doesn't make it hard to feel sorry for Christine at all and I think its a good thing. At the end, although the circumstances are very unfortunate, she gets what she wants.

I've been making a goal to reread a lot of stuff that I've read before. This time I want to pay attention to the details. This time around, instead of glossing over scenes and being so caught up in the imagination of things, I can pay attention to the words as, well, words.  

tags: writing, where are you coming from sweetheart, reading, books, sarah salecky
Thursday 04.02.15
Posted by Jeremy Collins
Comments: 1